Hugsten is a collaboration between Annsofie Jonsson and Håkan Jonsson, two Swedish artists living in Berlin. In their practice, they investigate myth and ritual as forms of meaning- and knowledge creation, as well as tools for imagining alternative re-enchanted futures. They work with text cut-ups, image, sound, installation and performance, from a phenomenological perspective, often with non-human actors, and they refrain from asking themselves what is real and what is not.
Lately, much of our work has focused on Hyndlas sång, and Willy Kyrklund's texts.
The word hugsten (lit. will-stone) appears in Eddan, Hyndlas sång, verse 41, where Loke finds the heart(hugsten) of a woman, half-burnt on a linden wood fire, eats it, becomes pregnant and gives birth to all the weird creatures of the world.
Hugsten logo by Idun Jonsson
The water is always black - The poesy of descrying, Röstånga Konsthall
Water is not neutral. It carries memories, depth, movement — and darkness. In “The water is always black” an inner river system opens up, where landscapes are no longer geographies without state: the sediment of dreams, the archive of the body, the black mirror of the surface. The exhibition moves through poetic streams and underground springs, like Hvergelmir — the mythical source of black ice water — as a symbol of that which is born from the hidden, even that which threatens the very existence of the world. Here the water is always black.
Hyndlas song - A cardiophagic performance ritual with acoustic noise in which Hyndla tells the story from Eddan of how Loki eats a hugsten(heart), becomes pregnant and gives birth to all the strange creatures of the world. Thunder Perfect, Liebig 12, Berlin, October 2025.
HUGSTEN Performances
2026 Hyperpresence and Von gutem, Willy Kyrklund and our relations to insects - Other-than-human, Vorspiel, Berlin
2025 Hyndlas sång - Thunder Perfect, Liebig 12, Berlin
2025 Healing Masculinity - Tibbaröd Biennalen, Stora Tibbaröd, Sweden, together with Kellyosa Ersmark, Minotaur.
2025 Cut-up poetry - Re-Opening for Sound [ action: movement ] poetry at G A R A G E, Berlin, Germany
2025 Häxeri - Untergrün Berlin, Germany
2025 Häxeri - Thunder Perfect #3, Pandora Untergeschoss, Berlin.
2024 Hyndlas song, vers 41 - Kulturnatta at Oceanen, Studio 50 Urban Art, Gothenburg, Sweden.
2024 En Erebos Phos - 23rd Mind Art & Magic, Vimmerby, Sweden.
2024 ANTINOMIAN - opening ritual performance, Studio Baustelle, Berlin, Germany.
2024 Alkemi - objects, sounds, and ritualistic fragments. Aktionsraum III, unstrained MOVEMENT, Kunstraum Reuter, Berlin, Germany.
2023 Proxemics - performance & sculpture. Ceramics, non-lingual AI speech, sounds. Hörsägen by HUGSTEN, Studio Baustelle, Berlin, Germany.
2023 Ashes to Ashes - Hörsägen by HUGSTEN, Studio Baustelle, Berlin, Germany.
2023 Ashes to Ashes, dust to dust - Untergrün, Berlin, Germany.
2023 Under construction - El Puente, Vilaflor, Tenerife, Spain.
Unravelling the threads, commissioned by Helmholtz Institute for Marine Biodiversity.
Unravelling The Threads combines rhizomatic sculptural fragments of the complex and dynamic networks of marine food webs, constituted by predator-prey interspecies relationships, with sonifications of Lotka-Volterra equations, simulations of population dynamics described by Generalized Modeling of ecological networks, and identified network motifs such as Omnivory, TreeChain, and Apparent Competition. The project was a collaboration between Hugsten and Melanie Habermann at HIfMB, organized by Geraint Rhys.
Gastkram (ghost hug) on TAILNIA
Globulology on FALT.
Videos Hyperpresence and Dyptique Alusien on Hugsten bandcamp.